Autodesk ® Mudbox ™, a software tool for digital sculpting and texture painting, gives modelers and texture artists all the possibilities for creating digital 3D images as if they were working with clay and paint. Mudbox is designed by professionals in the field of computer games, film and television. The product has an intuitive interface and provides an extensive set of templates and brushes to help create highly realistic 3D characters, compelling environment, stylized objects, etc.

MAGIX Video Pro X5 is the perfect software solution for intuitive and powerful video production. This multi-award-winning video editing suite, which is geared towards the unique requirements of professional users, offers an unrivaled range of powerful post-production tools. Improved performance, detailed editing options and years of experience in the field of advanced software development guarantee professional results in perfect sound and vision and an efficient workflow that combines professional video editing with ease of use.

The purpose of this series is to get you confident with using arnold, and have a firm grounding in all it has to offer as a feature film, production render engine. We are going to spend our time going through arnold from top to bottom looking at all the key features of the render engine.

In 1958, the US director John Huston asked Jean-Paul Sartre to write a scenario for a film about Sigmund Freud. Huston wanted Sartre to concentrate on the conflict-ridden period of Freud’s life when he abandoned hypnosis and invented psychoanalysis. The Freud Scenario, discovered in Sartre’s papers after his death, is the result-a deft portrait of a man engaged in a personal and intellectual struggle that would prove a turning point in twentieth-century thought.

When psychologist Kris Kelvin arrives at the scientific research station hovering high above the surface of Solaris, he finds the place deserted except for two scientists, who have been driven mad by some unknown horror.

3D Gugle is the most advanced software for creating any type of stereoscopic and lenticular applications. With 3D Gugle you can easily create from Stereo Pairs or from 2D to 3D conversion, images and movies in 3D, and stereoscopic or ordinary animations.

Bear Island, known as the wartime graveyard of the Arctic, where Nazi submarines lay in wait for the Murmansk convoys, is the setting for Alistair MacLean's novel.

3D Artist magazine is a luxury title for fans of 3D software and the phenomenal images that can be created. Each issue is packed with advice and inspiration for 3D devotees, all written by first-class artists. The tutorials give readers valuable insight into the techniques used by 3D professionals, while interviews and features focus on the latest projects being created by commercial studios and freelancers. 3D Artist looks at the entire 3D world, from TV and architecture design, through to film work, concept art and character development. The unique 'Workspace' mini-mag is for people training for a 3D career and shines the spotlight on 3D university and college courses, in addition to specific career advice from experts in the field, interviews with 3D studios and recruitment agencies, plus tips for anyone starting out as a freelancer.

BETA-CAE system S.A. announces the release of 14.1.0 of our ANSA & ?ETA pre- and –post processing suite. Additional new features and tools, and enhancements in the existing ones add up to our continuous effort to bring optimum solutions to CAE engineers' needs.

Reallusion, the award-winning leader of 3D and 2D Cinematic tools, unveils CrazyTalk7, a new and innovative digital media application that allows user to create animated talking characters from any digital photograph.

Leading computer graphics and visual effects software developer, Luxology has launched MODO 701.Over the last year, the development team has listened to a huge amount of customer feedback and subsequently made significant enhancements to core functionality in the modelling, sculpting, animation, effects and rendering workflows.

Motion is a software application produced by Apple Inc. for their Mac OS X operating system. It is used to create and edit motion graphics, titling for video and film production, and 2D and 3D compositing for visual effects. The Motion interface has been redesigned specifically for Final Cut Pro editors, with a familiar look and feel that makes it easy to switch between the two applications

Autodesk- 3ds Max- software provides a comprehensive 3D modeling, animation, rendering, and compositing solution for games, film, and motion graphics artists. 3ds Max 2014 has new tools for crowd generation, particle animation, and perspective matching, as well as support for Microsoft- DirectX 11- shaders.

3D modeling and animation software.Autodesk® 3ds Max® software provides a comprehensive 3D modeling, animation, rendering, and compositing solution for games, film, and motion graphics artists. 3ds Max 2014 has new tools for crowd generation, particle animation, and perspective matching, as well as support for Microsoft® DirectX 11® shaders.

Simulating 2,000+ popular award-winning Tiffen glass filters, specialized lenses, optical lab processes, film grain, exacting color correction, plus natural light and photographic effects, the Tiffen Dfx digital filter suite is the definitive set of digital optical filters for professional photographers, top motion picture filmmakers, video editors, and visual effects artists around the world.

In ZBrush 4 Essential Training, Ryan Kittleson introduces ZBrush to artists making a transition from another sculpting program or who may just need some help with the finer points of this powerful digital arts package. The course covers the most popular tools and techniques for digital painting and sculpting in Zbrush, and explains how to export the models and texture maps to other programs for use in games, film, fine art, or 3D printing. The course also highlights the new features in ZBrush 4, such as ShadowBox, clip brushes, and LightBox. Exercise files are included with the course.

Autodesk ® Mudbox ™, a software tool for digital sculpting and texture painting, gives modelers and texture artists all the possibilities for creating digital 3D images, as if they were working with clay and paint. Mudbox was developed by professionals in the field of computer games, film and television.

CameraBag 2 is a desktop photo app with a whole new approach to photos. Redesigned from the ground up, CameraBag 2's Analog Engine pairs a full suite of photographic tools with the high quality filters and vintage simulations the series is already known for. Its key innovation is a stunningly straightforward approach to layering, rearranging, and endlessly tweaking all of these effects in realtime. The 100+ fully-adjustable filters and 25+ professional controls CameraBag 2 ships with are only the beginning, forming the palette from which users create their own styles.

ZBrush is a digital sculpting and painting program that has revolutionized the 3D industry with its powerful features and intuitive workflows. Built within an elegant interface, ZBrush offers the world’s most advanced tools for today’s digital artists. With an arsenal of features that have been developed with usability in mind, ZBrush creates a user experience that feels incredibly natural while simultaneously inspiring the artist within. With the ability to sculpt up to a billion polygons, ZBrush allows you to create limited only by your imagination.

Artlantis is the fastest stand-alone 3D rendering application developed especially for architects and designers, ideal for quickly and easily creating high resolution 3D renderings, iVisit 3D Panoramas, QuickTime VR Objects and animations.

This massive 20 GB collection (10.5 GB of 24 bit WAV files) is crammed full of today's Modern Pop, Soul and R&B songwriting styles; and is a showcase of artists like Adelle, Bruno Mars, Amy Winehouse, Rihanna, Ne-Yo, Sara Bareilles, Alicia Keys and so many more.

Gene Kranz was present at the creation of America's manned space program and was a key player in it for three decades. As a flight director in NASA's Mission Control, Kranz witnessed firsthand the making of history. He participated in the space program from the early days of the Mercury program to the last Apollo mission, and beyond. He endured the disastrous first years when rockets blew up and the United States seemed to fall further behind the Soviet Union in the space race. He helped to launch Alan Shepard and John Glenn, then assumed the flight director's role in the Gemini program, which he guided to fruition. With his teammates, he accepted the challenge to carry out President John F. Kennedy's commitment to land a man on the moon before the end of the 1960s.